Imposter in the Woods
by Lori Goshert
The call of a cardinal echoes through the trees. A brown anole skitters up a palm trunk, pausing to listen and bob her head.
With one finger jammed between the pages of my book to mark the place, I crane my neck to peer under the lounge chair, seeking the fat brown ant that disappeared underneath. I examine the back rails to make sure the insect is not making her way toward me, and I shake out my discarded shoes. I regard the jumping spider on the arm of the chair with suspicion—I do not fear spiders, but the unpredictability of jumping insects and arachnids unnerves me. I like knowing where things are and where they are going. Especially if they’re creepy.
I consider myself a lover of nature, even presuming to write about birds and environmental issues. But I keep nature at arm’s length—a long-distance romance.
I devour documentaries of faraway rainforests, reveling in the flight of scarlet and green parrots and the majestic decisiveness of jaguars. I will never visit them, but to ensure their survival, I place my pen, my time, and sometimes my wallet at their service. The oxygen those trees exhale makes my life possible, and their destruction is my own.
The only reason I’d leave the convenience of an urban apartment for a house would be to plant fruit trees and let my lawn burst with food for people and pollinators rather than grass. But I know myself—I would rather suffer jury duty or fold laundry than dig in the dirt, where I’d encounter wriggling earthworms. And the very thought of bugs on my skin makes every hair stand up.
There is much in the city to feed my love of nature: The moss hanging from the southern live oaks. The barred owl behind our building periodically calling “Who cooks for you?” I long to answer him, but he stubbornly refuses to show himself for a real conversation.
The wonders of our national parks call to me, and I long to visit and marvel in the august presence of ancient trees, mirror-still mountain lakes, and multi-pigmented rock formations. But when the sun goes to bed, let me bask in the glory of indoor plumbing, snake- and insect-proof doors and windows, and the promise of morning elixir from the venerable coffeepot. (Though a voice in the back of my mind scolds me, saying I should know how to “rough it.” For the future, when we’re all living in Octavia Butler’s The Parable of the Sower.)
Am I an imposter, then, when writing about nature issues? I ask myself that each time I lift my pen to extol the delicate beauty of a green heron, the still vigilance of a lizard, or the mossy fairy-tale shape of a live oak. Yet I continue to look for that owl—through my apartment window—and to write about him and his bird friends.
